La relation artiste-spectateur face et avec la nudité : une transgression « entre ».

Interpersonal relationships and intersubjectivity between artists and spectators are an impalpable space, key to the relational artistic plan, which invites us to extend the reflections of N. Bourriaud on what he calls the relational aesthetic. The base of our study is the participant observation of Dévêtu(e), a creation of the Thé à la Rue company, which allowed us to question the hapticity of art and the positionnality of the researcher, so that we can grasp the mobility of the [...]

La lutte pour l’instauration de nouvelles normes corporelles.

Le cas des mouvements naturistes en France (du 19e siècle aux années 30).

Naturism is based on the practice of collective nudity. That’s why it has long appeared to be part of a deviance, of an abnormality. In the 19th century, as in the beginning of the 20th century, the pioneers of naturism are aware of transgressing social norms, with the judicial risks involved. From these remarks, we will examine, from an historical perspective, the factors that determined the emergence of these bodily practices deemed deviant, but also their diffusion and their [...]